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Previous PageThe Caswell Rhiannon 36 string harp

Made in USA - American Flag The Caswell Rhiannon 36

Caswell Harps are made by Chris Caswell Harp Maker in the USA These harps are the culmination of over thirty years of harp making. They represent both the traditional and the innovative.

De La Cour Sharping Levers are a new lever from France. Caswell Harps is the first to use these fine cam-style flip-up levers. They capture the string in a manner similar to pedal harps, by rotating a pair of pins into the string. This leaves the string in its original alignment (an innovation by one of my heroes, Sebastian Erard).

Rhiannon 36 - £3,300 (including VAT)
Includes: tuning key and a full set of De La Cour Levers

Try The Caswell Rhiannon 36 Harp at:
The Little Welsh Shop, Derby or
The Little Welsh Shop @ Pianos Cymru - Porthmadog

Click headings below for further info or to buy

Specification
Height: Height: 59” & 60” (Celtic/Classic)
Extreme width: Breadth: 28” & 29” (Celtic/Classic)
Sound board width: Max Soundboard Width: 18.5”
Strings: C2 to c3, 36 Nylon Strings
Weight: ± 22lbs
Finishes:

Eastern/English Walnut - This is a noble wood, increasingly hard to get in the needed sizes. It has a warm rich sound with good bass and highs. It has a gorgeous appearance, sometimes figured, ranging from a chocolate, to a dark creamy, to almost a purple brown.

Hard/Rock Maple - The classic instrument wood. Heavy and very strong, it is easily available. It has a fine response across the entire audio spectrum. It can be worked a bit thinner due to it's strength, but still tends to produce a heavier harp. It can also be almost too bright sometimes. It has a very pale appearance with brilliant highlights and occasional darker streaks. I use only figured pieces, usually flamed.

Jatoba/Brazillian Cherry - I don't know why other instrument makers haven't tumbled to this wood. It's beginning to be sustainably produced (mainly as a flooring), so I feel I can use it now. It is similar to Bubinga, but redder and better sounding. It has a creamy even texture with occasional figure. Its sound is somewhat in between maple and rosewood bright and rich.

Options: Covers & accessories available
Extras: Hire purchase and hire schemes
Features Full Set of De La Cour Levers
Classic String Spacing
Medium-High String Tension
Compound Soundboard™
New Harp Show Room now open in Derbyshire!! Beautiful rural setting in the foothills of the Peak District, direct access from A52, plenty of car parking, our showroom is exclusively open by appointment. We want to give you enough time and personal attention to make a well considered decision at a time convenient you. You can also arrange appointments to view harps with our trained harpists at our centres in Fairford (Glos) and Porthmadog (N Wales) contact Helen for further details.
Rhiannon 36 - £3,300 (including VAT)
Includes: tuning key and a full set of De La Cour Levers

Payment
Please contact us for payment options.

Delivery
Personal Delivery anywhere in mainland UK by one of our trained staff  £100.00
(Northern and Southern Ireland, Isle of Man and Channel Islands by arrangement price on application)  


Close up photo of top of Aldeburgh Pedal HarpDe La Cour Sharping Levers are a new lever from France. Caswell Harps is the first to use these fine cam-style flip-up levers. They capture the string in a manner similar to pedal harps, by rotating a pair of pins into the string. This leaves the string in its original alignment (an innovation by one of my heroes, Sebastian Erard).

The Caswell Rhiannon HarpEastern/English Walnut - This is a noble wood, increasingly hard to get in the needed sizes. It has a warm rich sound with good bass and highs. It has a gorgeous appearance, sometimes figured, ranging from a chocolate, to a dark creamy, to almost a purple brown.

Hard/Rock Maple - The classic instrument wood. Heavy and very strong, it is easily available. It has a fine response across the entire audio spectrum. It can be worked a bit thinner due to it's strength, but still tends to produce a heavier harp. It can also be almost too bright sometimes. It has a very pale appearance with brilliant highlights and occasional darker streaks. I use only figured pieces, usually flamed.

Jatoba/Brazillian Cherry - I don't know why other instrument makers haven't tumbled to this wood. It's beginning to be sustainably produced (mainly as a flooring), so I feel I can use it now. It is similar to Bubinga, but redder and better sounding. It has a creamy even texture with occasional figure. Its sound is somewhat in between maple and rosewood bright and rich.

 

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